SOURCE www.sienafree.it
Saturday, July 18 comes on the 34th Montepulciano headed by Detlev Glanert
19.00, starts from Fortress the parade of popular music with the bands of the territory
21.30, in Piazza Grande Symphony Orchestra concert from Manchester:
program in the most famous music by Verdi, Tchaikovsky and Henze
Opening in grand style Saturday, July 18 for the 34 ° Cantiere Internazionale d'Arte - directed by year by Detlev Glanert - which kicks off its 15 days of concerts and shows with a parade of popular music that will involve the public through the picturesque streets of Montepulciano with bands Chianciano , Montepulciano, San Quirico and Sarteano.
Check the Medici Fortress at 19:00 to arrive in Piazza Grande, where the orchestra at 21.30 Nothern of the Royal College of Music in Manchester - this year's resident orchestra - will perform the traditional Opening Concert.
podium Roland Böer, Music Director of the shipyard since 2009 and next year at La Scala in Milan to The Magic Flute by Mozart. A program that ranges from dance music of Act III of Macbeth by Giuseppe Verdi to the Four interludes from The Lord Young of Hans Werner Henze, a tribute to the founder of Yard Art which saw its first edition in 1976. In the second part still green with the Sinfonia from Luisa Miller and the grand finale to the Symphony No. 4 op. 36 by Tchaikovsky.
I choreographed dance are a big distraction at the beginning of the third act of Macbeth by Verdi composed to highlight the talents of the famous Paris Opera ballet school this "divertissment" shows how the Italian musician loved the ballet not only as a theatrical genre, but especially from a musical point of view.
Social commitment and sensitivity existential rather have once again cast by Henze in the Four Interludes where it is expressed profound solidarity with exclusion and where the "different" with his apparent madness, only underlines the inconvenience of a Real estate companies and stifling. The action is made through a balance of irony and satire, even with a ruthless and instrumental ensemble from the early nineteenth century reduced to the essential with the addition of a variety of percussion.
With Symphony Verdi's Luisa Miller returns oestrus but here, in an unusual way: Green definitely exceeds the bright color and loud Rossini tradition to approach a more northern European type of instrumentation.
In conclusion, the Symphony No. 4 op. 36 Tchaikovsky the composer himself described as "the best symphony I've written so far: my beloved symphony."
Box Office: Adults € 20, reduced € 10 for residents, under 16 free
0 comments:
Post a Comment